A New Musical Interface Using Acoustic Tap Tracking
Alain Crevoisier, Pietro Polotti · 2002
Input interface Output interface Computing THE ARCHITECTURE OF HYPER-INSTRUMENTS (HI) • HI’s usually separate the control interface and the sound generation ⇒ risk of developing poor mapping strategies • Break down of the perceptual linkage between the physical action and the musical reaction • Expressive information in music relies on details that are usually difficult to perceive at the level of the performer's gestures