Fictionalism in Ontology
Achille C. Varzi · PhilPapers (PhilPapers Foundation) · 2013
Fictionalism in ontology is a mixed bag.Here I focus on three main variants-which I label after the names of Pascal, Berkeley, and Hume-and consider their relative strengths and weaknesses with special reference to the ontology that comes with common sense.The first variant is just a version of the epistemic wager, applied across the board.For all we know-says the Pascalian-our ordinary common-sense ontology may be a fiction.However, what goes on in that fiction matters a lot to us.Indeed, that's all that matters, so let us pretend the fiction is true and let's continue to plan our lives accordingly.The second variant builds instead on a semantic intuition.We know that ordinary language is not ontologically transparent: if taken at face value, its statements would commit us to lots of fictitious entities.Still, that's the way we talk-says the Berkeleyan-and it would be impossible to communicate if we didn't talk that way.So let's continue to talk that way.We just have to keep in mind that such way of talking may be fictitious-and find a good way of making that clear when the need arises (e.g. by providing suitable paraphrases or, better, by prefacing our statements with a suitable according to the fiction operator).Finally, on the Humean variant it's the structure of the ontological inventory, not the content of the inventory itself, that may turn out to involve fictional elements.That is, for the Humean the fiction lies, not in the reality of common-sense ontology, but in the laws-of unity, identity, causation, etc.-in terms of which we articulate our experience of that reality and impose a certain structure onto it.In the end of the day, this is the kind of fictionalism that I find most interesting, sensible, and tenable.And I argue that it is even compatible with the sort of "naive" realism that we have all come to appreciate in the work of Paolo Bozzi.I initially thought that there was something ironic in the idea of honoring Paolo Bozzi within the context of a conference on fictionalism.Paolo was a champion of realism.Fictionalism, at least on some understanding of the term, is naturally viewed as a tool for the antirealist.On second thought, however, I've become convinced that there is a good way of honoring Paolo by speaking about fictionalism, especially fictionalism in ontology.Let me try that.This paper is based on the Paolo Bozzi Lecture in Ontology delivered at the Universty of Turin, Faculty of Letters and Philosophy, on May 26, 2011, and is dedicated to the memory of Paolo Bozzi.The paper itself was written afterwards, but the contents are faithful to the material presented in the Lecture. The Ontological WagerWhen it comes to ontology, factionalism is a mixed bag.It's not just that there are different ways of construing ontological fictionalism.In ontology, there are different views that may be construed as fictionalist.Here is a familiar view.One could say: Look, for all we know, we may be brains in a vat.Maybe there really are no such things as cats and dogs; maybe they are just illusions.Maybe the whole world as we experience it, including our own bodies, is just a product of our own minds-a fiction.Maybe we are disembodied minds and there is nothing else.And even if there is something, it may well be that it is not what we thought there was.(And so on.)Still-our philosopher may continue-even if everything is just a fiction of sorts, what goes on in that fiction matters a lot to us.Indeed, that's all that matters, for we feel as though it were real.We do have the impression of having a material body that lives in a world inhabited by cats and dogs, and our happiness, which is what matters the most, depends on how successfully we manage to interact (in whatever sense of "interact") with such things, such illusions.Everything in our lives depends on this, illusory as its reality may be.So let us just pretend that it is not an illusion.Let's continue to pretend that it isn't.Let us pretend that there really are cats and dogs, and that we have a body, and so on, and let us take it from there.Perhaps such things do not, in fact, exist.But they do seem to exist and they certainly could exist, so let's just pretend we live in a world in which they do exist.Just like when we play cowboys and Indians.Or when we watch a movie or read a novel.We step into a state of pretense and we feel joy or sorrow depending on how things go in the pretense, for what goes on in that pretense is what matters.What about knowledge?What about truth and falsity?Don't worry about that, says our philosopher.All we really care about is truth and falsity in the pretense, in the fiction.Forget about the truth value of P. What matters is the truth value of:According to the fiction, P exactly as in:According to the Sherlock Holmes stories, there is a brilliant detective who lives in 221b Baker Street.Of course we all hope that the fiction is true (not the Holmes stories, but the fiction corresponding to the world as we seem to experience it), in which case the operator is redundant and we are back to truth and falsity simpliciter.But it may well not be, and we shouldn't waste time pondering whether it is.We would not gain anything and we would lose everything.