Electroacoustic Music: Analytical Perspectives
Thomas Licata, Jean‐Claude Risset · Medical Entomology and Zoology · 2002
Foreword by Jean-Claude Risset Introduction by Thomas Licata Karlheinz Stockhausen: Gesang der (1955/1956) Through the Sensory Looking-Glass: The Aesthetic and Foundations of Gesang der Junglinge by Pascal Decroupet and Elena Ungeheuer Iannis Xenakis: (1957) Diamorphoses by Iannis Xenakis by Thomas DeLio Gottfried Michael Koenig: Essay (1957/1958) Koenig--Sound Composition--Essay by Konrad Boehmer Nono: Omaggio a Emilio (1960) Luigi Nono's Omaggio a Emilio Vedova by Thomas Licata Karlheinz Stockhausen: (1966) Serial Composition, Form, and Process in Karlheinz Stockhausen's Telemusik by Jerome Kohl Otto Laske: Terpsichore (1980) Subscore Manipulation as a Tool for Composition and Sonic Design by Otto Laske Jean-Claude Risset: (1982) Story of Emergence and Dissolution: Analytical Sketches of Jean-Claude Risset's Contours by Agostino Di Scipio James Daschow: Sequence (1984) Looking Into Sequence Symbols by James Daschow Joji Yuasa: A Study in White (1987) Oppositional Dialectics in Joji Yuasa's The Sea Darkens by Kristian Twombly Index