Modern Methods for Musicology : Prospects, Proposals, and Realities
Tim Crawford, Lorna J. Gibson · 2012
Contents: Preface Introduction, David Meredith Computer representation of music in the research environment, Geraint A. Wiggins Digital critical editions of music: a multidimensional model, Frans Wiering Filling gaps between current musicological practice and computer technology at IRCAM, Michael Fingerhut and Nicolas Donin The computer and the singing voice, David M. Howard Mapping the use of ICT in creative music practice, Celia Duffy On the use of computational methods for expressive music performance, Werner Goebl and Gerhard Widmer Understanding the capabilities of ICT tools for searching, annotation and analysis of audio-visual media, Adam T. Lindsay Audio tools for music discovery, Michael Casey 'What was the question?': music analysis and the computer, Alan Marsden Bibliography Index.