Principles of Digital Waveguide Models of Musical Instruments

Julius O. Smith · Kluwer Academic Publishers eBooks · 2005

Basic principles of digital waveguide modeling of musical instruments are presented in a tutorial introduction intended for graduate students in electrical engineering with a solid background in signal processing and acoustics. The vibrating string is taken as the principal illustrative example, but the formulation is unified with that for acoustic tubes. Modeling lossy stiff strings using delay lines and relatively low-order digital filters is described. Various choices of wave variables are discussed, including velocity waves, force waves, and root-power waves. Signal scattering at an impedance discontinuity is derived for an arbitrary number of waveguides intersecting at a junction. Various computational forms are discussed, including the Kelly-Lochbaum, one-multiply, and normalized scattering junctions. A relatively new three-multiply normalized scattering junction is derived using a two-multiply transformer to normalize a one-multiply scattering junction. Conditions for strict passivity of the model are discussed. Use of commutativity of linear, time-invariant elements to greatly reduce computational cost is described. Applications are summarized, and models of the clarinet and bowed-string are described in some detail. The reed-bore and bow-string interactions are modeled as nonlinear scattering junctions attached to the bore/string acoustic waveguide.

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