Comment on Chester’s 'For a Rock Aesthetic'
Richard Merton · New Left Review · 1970
The impulse behind Andrew Chester’s attack on the notion of pop music is correct. ‘The pop critic’s attitude towards the music is generally patronizing in the extreme,’ Indeed. After contumely or scandal, patronage is the entrenched mode of bourgeois consumption of plebeian art. The question arises, however, if . . .