Modifications of the work: from written fixation to sounding fact
Tomsk State Philharmonic, Vyacheslav Klimenko · Muzykal nyj al manah Tomskogo gosudarstvennogo universiteta · 2023
The article proposes a hypothesis about the presence of two forms, two modifications of the existence of a musical work - a modification of the written recording and a modification of the audio model. If a modification of a written fixation exists only in the text of a work and is understandable only to the performer - a musician, then a modification of the audio model that turns the work into a sounding fact is created by the performer and is available to the listener. It is the change of modifications that ensures the longevity of the work.