Cybernetic Feedback Processes in Music-Theatre Practice: The Im-Medea Cycle
Thanos Polymeneas-Liontiris, Eugenia Demeglio · ECHO a journal of music thought and technology · 2022
-programning system as the loast elaborate that ',7ill realisG the postulated "abstrCtct organisation" and in 2.4.thero is a discussion of scri,1ting proceduros.Wc are in need of sl)Onsorship for this progranGo and for those in 0. position to offer sponsorship.A IIFinancio..l and orgo.niso.tionalsto..tonont tl has bocn prepared o.nd is available as a sopp-rate docu;]ent tlK'.t also contains details of the project schedule. BriGfly, a Cybernetic Theatre involves a couple of innovations.A physical cormunica tion system ",/hich is fairly inex~GnsivG and co..po..ble of inst~llation in any conventional theatre and(2) A special l,)roccc1.urG,for :;?rograL1l:-~ing 0. drnna tic perforeo.ncewhich involves a nunbar of techniquos entnilGd in plotting and scripting any play that is porforned in the CybGrn ct ic Thoa tre systelIl.Thus existing plays could not b8 porformed in tho system though sono of thon could be modifiod and adapted for this purpose.• --3 -'.'. ,...1.