The Audio-visual Landscape: Aesthetics and Complexity
Chiara Simonigh · Comparative studies in modernism · 2020
We can hypothesise that greater effectiveness in favouring the establishment of a cosmocentric paradigm is to be sought in at least a basic factor inherent in the aesthetic experience of the audio-visual image of the landscape: the “introjective” or “immersive” vision, which implies the symbolic overcoming of the threshold of representation by the spectator and their fusion with what is represented, a perception of the environment not as an external surrounding space, but as a place in which one is included and of which one is part.