Spatial visual music - the combination of visual music and physical space
Jīng Yáng · 2020
information, influencing audience's emotional response, and enriching interactive activities for Visual Music artworks. The main contents of this thesis consists of three parts: The first part is literature review, from Chapter 2 to Chapter 3, which involves the historic trace of Visual Music studies, the basic theory of physical space and the concept of perceptual space, and a review of the utilizations of space in different art forms. The second part is the theoretical proposition, where the author proposes a new term called "Spatial Visual Music", a structure of Spatial Visual Music, and two concepts called "Memoryscape" and "Digital-Cortex" which provide the theoretical foundation for artistic practice.