Shape as understood by performing musicians
Helen M. Prior · Oxford University Press eBooks · 2017
Recent studies of musicians’ use of the concept of shape have examined its multimodal characteristics and expression; its link with musical identity; and its function as one of many heuristics for achieving a particular effect rapidly and without cumbersome amounts of conscious thought. This chapter analyses interview data, leading to the construction of a model encompassing the levels at which shaping was discussed, triggers for musical shaping, heuristics, technical modifications, and the resulting change in sound. An overview of the data is provided through an explanation of each component, and the distribution among the participants of the use of each idea discussed. The model is then used to represent selected parts of the data to give an insight into how the components of the model were combined in the interviews. Finally, the model is discussed in relation to its potential for generalization embracing other performing musicians.