To Be or Not to Be: Schenker's Versus Schenkerian Attitudes Towards Sequences
Stephen Slottow · Gamut Online Journal of the Music Theory Society of the Mid-Atlantic · 2018
This article discusses Schenker's attitude toward sequences alongside the atittudes of Schenkerian theorists, as well as the author's own thoughts about sequences, and uses examples from the first movement of Mozart's Piano Sonata in F and the development section of Scarlatti's Sonata in E major.