SYMBOLIC CONTROL OF SOUND SYNTHESIS IN COMPUTER ASSISTED COMPOSITION
Jean Louis Bresson, Carlos Agón, Staatliche Hochschule Für · HAL (Le Centre pour la Communication Scientifique Directe) · 2005
This paper presents current works and future directions concerning the control of sound synthesis in OpenMusic. We will particularly focus on the concept of synthesis models for composition, and on the representation of sound synthesis objects. 1.