Generative Processes in Algorithmic Composition: Chaos and Music

James Harley · Leonardo · 1995

Models of music composition implemented on computer as generative algorithms are examined from a historical viewpoint. Correlations between chaos theory and music are described and serve as the basis for the computer program CHAOTICS, a set of modules which serve as tools for composition. The relationship between composer and computer is seen in terms of a feedback loop.

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