The All-Digital Studio is Here

Dominique Nasse, Jean-Luc Grimaldi, A. Cayet · 1985

One of the most important effects of the introduction of digital processing in video systems was probably to challenge the “composite” representation of colour pictures (to which there was no practical alternative) and to establish “components” as a valuable tool to improve the performance of most systems dealing with baseband signals when components were not already made mandatory by some kind of picture processing not achievable on composite signals.

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