Computer Music as Commercial or Public Culture: A Personal View
Barry Truax · Computer Music Journal · 1996
It is perhaps a cautionary tale that have to relate to those recently involved in computer music that someone such as myself, having worked in the field for slightly less than 25 years, starts being regarded as a pioneer or senior artist, and is expected to comment sagely on the whirlwind of developments that have occurred over that period. Every five years seems to constitute a generation, and after five of those cycles one starts sounding like a colorful old-timer, spinning yarns that begin with I remember when... .