Petroglyphs as Paintings The application of digital image enhancement to the study of Årsand 1, Hordaland, Western Norway
James Andrew Dodd · 2013
116 Adoranten 2013 The previous article in this volume has explored one aspect of the exciting new possibilities for rock art documentation offered by advances in technology. The following contribution adopts a different approach, focusing on how the application of image processing software can aid the interpretation of rock art in the case of the Arsand 1 painting site, Hordaland, Western Norway. Arsand 1 consists of fifty-eight motifs painted on different rock surfaces located under a large sheltered cliff overhang,