Review: Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists by Glenn Watkins
Joseph Auner · Journal of the American Musicological Society · 1996
Book Review| April 01 1996 Review: Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists by Glenn Watkins Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the PostmodernistsGlenn Watkins Joseph H. Auner Joseph H. Auner Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1996) 49 (1): 161–174. https://doi.org/10.2307/831959 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Joseph H. Auner; Review: Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists by Glenn Watkins. Journal of the American Musicological Society 1 April 1996; 49 (1): 161–174. doi: https://doi.org/10.2307/831959 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of the American Musicological Society Search This content is only available via PDF. Copyright 1996 The American Musicological Society, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.