The Theory of Perception in the Aesthetic Conception of Helmut Lachenmann: A 'Redefinition' Trial of the 'Functional' Aspect of Music
Iyad A. Mohammad · Contemporary Music Review · 2004
In this article, I discuss my opinions of Helmut Lachenmann's own theories on perception and the functionality of music. I also allude to the numerous ways in which his music could be approached by new or experienced listeners and how Helmut's musical thought has evolved during the past few decades.