Electronic synthesis models of acoustic instruments
David A. Luce · The Journal of the Acoustical Society of America · 1977
Combining correlative analysis of acoustic musical instrument sounds with basic physical properties leads to functional models for electronic synthesis. Determination of the number of degrees of freedom and their ranges associated with psychoacoustically important parameters is crucial for efficient models. Derivation of three models for the trumpet, violin, and French horn and simulative synthesis examples will be presented.