Audible Frequency Ranges of Music, Speech and Noise
William B. Snow · The Journal of the Acoustical Society of America · 1931
This paper describes the use of an electro-acoustic system, transmitting the audible frequency range almost uniformly, in determining by ear the frequency ranges required for faithful reproduction of music, speech, and certain noises. Sounds were reproduced alternately with and without filters limiting the frequency range transmitted by the electrical circuit. The filter cut-offs producing just noticeable changes in the reproduction were deduced from judgments of listeners as to the presence or absence of filters. It was found that for absolute fidelity all musical instruments except the piano require reproduction of the lowest fundamentals. The frequencies above 5,000 cycles were shown to be important, some instruments and particularly noises requiring reproduction to the upper audible limits. Tests were made in which experienced listeners judged the degradation of “quality” produced by a series of filters. The judgments showed definitely that the quality continues to improve as the frequency range is extended down to 80 or up to 8,000 cycles. Although somewhat indefinite on cut-offs outside these limits, they indicated that reproduction of the full audible range was considered most perfect.