A systematic approach to five clarinet fundamentals as utilized in Rose's Forty etudes
J Britz · Texas ScholarWorks (Texas Digital Library) · 2004
From 1857-1891, Rose's playing as solo clarinetist of the Opera National Orchestra in France won him respect among musicians and composers, many of whom were interested in learning more about his knowledge of the clarinet's technical and artistic capabilities beyond those established in the military band tradition.3 His background, rooted in lyrical and expressive phrasing found in opera, laid the groundwork for his teachings and study materials supporting these concepts.