A review of algorithms for perceptual coding of digital audio signals
Ted Painter, Andreas Spanias · 2002
Considerable research has been devoted to the development of algorithms for perceptually transparent coding of high-fidelity (CD-quality) digital audio. As a result, many algorithms have been proposed and several have now become international and/or commercial product standards. This paper reviews algorithms for perceptually transparent coding of CD-quality digital audio, including both research and standardization activities. First, psychoacoustic principles are described with the MPEG psychoacoustic signal analysis model 1 discussed in some detail. Then, we review methodologies which achieve perceptually transparent coding of FM- and CD-quality audio signals, including algorithms which manipulate transform components and subband signal decompositions. The discussion concentrates on architectures and applications of those techniques which utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver. Several algorithms which have become international and/or commercial standards are also presented, including the ISO/MPEG family and the Dolby AC-3 algorithms. The paper concludes with a brief discussion of future research directions.