On the use of Laban-Bartenieff techniques to describe ancillary gestures of clarinetists
Marie-Julie Chagnon, Louise Campbell, Marcelo M. Wanderley · 2005
METHODOLOGY 2 Data 2 Movement Analysis 2 Laban-Bartenieff Movement Fundamentals 3 Movement Annotation 4 Viewing and Annotation Methodology 5 OBSERVATIONS 6 Methodology 6 1. Distracting Movements 6 2. Contrast in character and movement between sections A and B 7 3. Movement phrasing 7 4. Constant repetitive movements 7 REFERENCES 8 APPENDIX 1. MOVEMENT ANNOTATION SUMMARY TABLES 9 APPENDIX 2. MOVEMENT ANNOTATIONS AND MOVEMENT PROFILES. 11 Performer 1 11 Performer 2 11 Performer 3a 12 Performer 3b 12 Performer 4 13 Performer 5 13 Performer 6 14 Performer 7 14 Performer 8 15 Performer 9 15 Performer 10 16 Performer 11 16 APPENDIX 3 SUGGESTIONS FOR VIDEOTAPING OF NEW DATA 18 1. Clothing of performer 18 2. Background 18 3. Camera angle 18 4. Camera view 18 5. Instructions 18