Automatic Monitor Mixing for Live Musical Performance
Michael Terrell, Joshua D. Reiss · 2009
A model has been developed which describes the monitor mix experienced by each participant in a musical performance. Using this model, and the mix requirements of each performer, an objective function was defined. This function was then minimized to find the monitor mix settings that best replicate the target monitor mix of each performer, subject to the side constraints of maximum and minimum allowable sound pressure level and the prevention of acoustic feedback. 0