Metaphor, Abstraction and Temporality in Electroacoustic Music
Monty Adkins · University of Huddersfield Repository (University of Huddersfield) · 2010
This invited paper was written in response to Gerald Bennet’s ‘Listening to Electroacoustic Music presented at ArtMusFair 2010, Warsaw, Poland and was first given as part of a panel responding to Bennett’s paper exploring Electronic Music and the Challenges of the 21st Century. Other contributors to the panel were Katharine Norman and Jean-Claude Risset. Gerald Bennet’s presentation dealt with issues of metaphor, abstraction and temporality in electroacoustic music. I will consider each of these in turn.